1996 (first edition), 2014 (second edition)*
The Poetic Edda
Oxford World's Classics
* Please note that this page does not currently reflect alterations made for the translation's second edition — read more about the second edition here.
Translated poems (35):
Codex Regius (31)
Vǫluspá, Hávamál, Vafþrúðnismál, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Vǫlundarkviða, Alvíssmál, Frá dauða Sinfjǫtla, Grípisspá, Reginsmál, Fáfnismál, Sigrdrífumál, Brot af Sigurðarkviðu, Sigurðarkviða hin skamma, Helreið Brynhildar, Dráp Niflunga, Oddrúnargrátr, Atlakviða, Atlamál, Guðrúnarhvǫt, Hamðismál, Helgakviða Hundingsbana (I, II), Helgakviða Hjörvarðssonar, Guðrúnarkviða (I, II, III)
Non-Codex Regius (4)
Baldrs draumar, Rígsþula, Hyndluljóð, Grottasǫngr
Other notable contents: Contains a section on translation decisions (pp. xxvi-xxix), a select bibliography (pp. xxx-xxxi), and "Main Genealogies of Gods, Giants, and Heroes" (pp. xxxii-xxxiii).
Introduction page length: 16
Dual Edition? No
Bowlderization/censorship: None (cf. p. 90)
Original illustrations? None
a.) Vǫluspá (p. 4):
3. Young were the years when Ymir made his settlement,
there was no sand nor sea nor cool waves;
earth was nowhere nor the sky above,
chaos yawned, grass was there nowhere.
b.) Helgakviða Hundingsbana II (p. 139):
Sigrun went into the mound to Helgi and said:
43. 'Now I am so glad, at our meeting,
as are the greedy hawks of Odin
when they know of slaughter, steaming food,
or, dew-drenched, they see the dawn.
c.) Rígsþula (p. 252):
45. He contended in rune-wisdom with Lord Rig,
he knew more tricks, he knew more;
then he gained and got the right
to be called Rig and to know the runes.
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Carolyne Larrington is an instructor at the University of Oxford. Larrington prominently thanks Ursula Dronke, her former instructor, in her introduction ("I should like to express my warmest and most respectful gratitude to Ursula Dronke, who first taught me Old Norse and introduced me to the poetry of the Edda and whose own edition of the Poetic Edda is brilliant and inspirational") and it's useful to compare their approaches. While Larrington's translation is also one of the more gloss-heavy English Poetic Edda translations, her approach is inconsistent. For example, Larrington makes the unusual choice to render nornir ('norns') as "fates" (cf. "Fated (Urd), a fate", p. 304), while leaving other, more straightforward proper names unrendered (cf. "Byggvir ('Barley') ...", p. 302).